dLive’s modular mix-and-match approach to system design enables you to build the perfect system for your application with all the control and I/O you need, from high input count multi-surface setups to ultra-compact surfaceless setups, with minimal configuration and setup time.

And moving between different dLive systems isn’t a chore, show files can be easily transferred between dLive systems without time-consuming show file conversion or reconstruction.

The XCVI core’s parallel mixing engines enables over 800 system inputs and outputs, which can be achieved via our exhaustive range of I/O and digital networking options, to feed the 128 input processing channels and 64 mix outputs.

The powerful tie-line feature can be used to directly patch system inputs to outputs, with the MixRack automatically handling sample rate and format conversion, for clean splits and feeds to other systems, all without consuming any input channels or processing power.

Trusted by platinum-selling artists on stadium tours, DEEP puts incredible emulations of legendary hardware directly within dLive’s input and mix channels with zero latency. No burning FX slots, no 3rd party gear hassles and no issues with latency or phase coherency.

From much loved studio compressors to game-changing live source expanders, DEEP gives you all the tools you need inside the MixRack.

Every dLive system includes 64 Dyn8 engines, comprising 4 bands of multiband compression and 4 bands of dynamic EQ, which can be used to tame unruly vocals, add cohesion to IEM mixes and tighten up any source or bus.

Dyn8 can be used on any combination of 64 input or mix channels in a dLive system.

dLive includes numerous tools to make the setting up and running of a show as quick and easy as possible for the engineer.

From our next-generation 61-band RTA to Shure and Sennheiser RF integration, A/B/C/D inputs and Talkback Groups to Virtual Soundcheck, dLive allows you to spend more time working on the mix and less time worrying about the technology.

dLive’s extensive scene management system packs a host of powerful features including highly granular recall filters and global safes, absolute and relative parameter updates across multiple scenes with auto-tracking option, cue-lists for simplified handling of set lists and cues, plus a scene import function for visiting engineers.

dLive Director is a multi-platform editor and control software for dLive, enabling engineers to configure the system offline before the show, check and edit Show files from guest engineers, and control the mix live using a laptop or compatible tablet.

Designed for Mac and Windows OS (including Surface Pro), dLive Director offers the same experience across different devices, and replicates every aspect of the Surface GUI for complete control of a dLive system.

MixPad provides mobile control for dLive digital mixing systems, giving you the freedom to walk the room or stage and control the sound right from where it’s needed.

dLive MixPad and the dLive Surface can work together to provide simultaneous control of independent functions, for example one engineer using the Surface to mix front-of-house sound, and another using the iPad to mix monitors on stage.

OneMix is a personal mixing app for dLive, allowing performers to take control of their own monitor mixes.

dLive OneMix can be configured to provide as much or as little control as needed, and multiple iPads running OneMix may be connected to give each musician control of their monitor mix without the risk of affecting the other monitors or front of house mix.

dLive is compatible with our range of networkable, PoE compatible remote controllers which can be programmed via the dLive Surface or Director software, and configured to control any aspect of the system.

IP Controllers can be used in conjunction with a dLive Surface for additional control, or in a surfaceless system as the main source of tactile control.

Custom Control is a customisable, cross-platform control app, providing elegant, bespoke control over dLive, Avantis and AHM systems.

From our next-generation 61-band RTA, with 5m, 15m and 60m history views, through to Shure and Sennheiser RF integration, Avantis is designed to let engineers spend more time mixing and less time worrying about the technology.

Avantis Director is a free Windows and Mac OS application enabling offline editing and online control capabilities.

Avantis MixPad is an engineer’s mixing tool providing wireless mobile control for Allen & Heath Avantis digital mixers. It gives you the freedom to walk the room or stage and control the sound right where it is needed. Avantis MixPad and the Avantis mixer can work together to provide simultaneous control of independent functions, for example one engineer using the mixer to mix front-of-house sound, and another using the iPad to mix monitors on stage. Several iPads can be connected, each providing independent control.

OneMix is a cut down version of the Avantis MixPad app that locks control to a single Aux (monitor) mix. Multiple iPads may be set up by the ‘Admin’ user to give each musician customised personal monitor control via Wi-Fi connection to Avantis without the risk of affecting the other monitors or FOH main mix. Avantis OneMix can be configured to provide as much or as little control as needed.

Avantis is compatible with our range of networkable, PoE compatible remote controllers which can be programmed via the Avantis mixer or Director software, and configured to control any aspect of the system.

Custom Control is a customisable, cross-platform control app, providing elegant, bespoke control over Avantis, dLive and AHM audio systems.

• 96kHz FPGA Processing
• 48 Input Channels
• DEEP Processing Ready
• 12 Stereo Mixes + LR
• 3 Stereo Matrix
• 8 Stereo FX Engines + Dedicated Returns
• 64×64 I/O Port for Audio Networking
• 32×32 USB Audio Interface
• Range of Remote Expanders

Every input has HPF, a super-fast gate with sidechain and filter, a musical 4-band parametric equaliser with RTA, and Peak/RMS compressor for control and shaping of levels and transients.

Mixes have both a parametric and 28 band graphic EQ along with compressor as standard, all ready to switch in when required.

SQ is armed with 8 stereo FX engines and comes complete with the acclaimed RackExtra library, featuring emulations of legendary classic reverbs, gated reverbs, delays, modulators and more.

Every engine has its own dedicated stereo return too, so you don’t need to use up any of your 48 input channels.

SQ’s built-in 32×32 96kHz audio interface enables easy multitrack recording, backing-track playback, livestreaming and virtual soundcheck.

The interface is class-compliant on Mac OS X making it truly plug ‘n play, with ASIO and WDM compatible drivers available for Windows computers.

You can even map the SQ’s faders, rotaries, channel keys and softkeys to control your favourite DAW using the Allen & Heath MIDI Control app.

The integrated SQ-Drive makes it quick and easy to capture and playback 16 channels (96kHz), 32 channels (48kHz), or a stereo recording of the performance direct to a USB key or drive.

No software setup, no soundcard driver issues and no extra laptop to bring to the performance.

SQ’s advanced automatic mic mixers (AMM’s) make it a natural choice for mixing conferences, panel talks and TV shows. They’re fully integrated in the mixer too, with no extra latency, so you don’t need to route the audio to an internal DSP rack or an external plugin system.

Two fully independent 24 channel AMM’s can be utilised for two zones or combined into a single 48 channel AMM for larger events.

Thanks to its SLink port, SQ can also be expanded up to a total of 48 mic inputs via the Everything I/O family of rack and stage box expanders making it a flexible, mix ‘n’ match solution for owners of other Allen & Heath digital systems.

View our range of accessories for the Qu range.

The intuitive AHM System Manager software and AHM’s flexible architecture allow rapid configuration, with no certified programming training required. AHM matrix processors strike a balance between the simplicity and set latency of fixed architecture, and the flexibility normally reserved for open architecture platforms, allowing them to handle sound management, paging, audio distribution, conferencing and speaker processing roles.

SLink allows plug ‘n play connection to up to 8 remote expanders from our extensive Everything I/O range, which includes wall mount, rack and portable options. With hundreds of routable system inputs and outputs, AHM can cater for projects ranging from a single room to large, distributed spaces.

An SLink port is built-in on AHM-64, and can be added via an SLink option card for AHM-32 and AHM-16.

Designing the perfect user interface for each type of user has never been so easy. Custom Control is a customizable, cross-platform control app, providing elegant, bespoke control over an AHM system.

Perfect companions for AHM matrix processors, CC-7 and CC-10 are control touch panels for desktop or wall mount use. Powered by the Allen & Heath Custom Control app, they can operate as fixed control devices or complementing a BYOD solution. From simple music source selection to level control, preset recall or paging, they offer an alternative to our range of IP remote controllers for applications where a touchscreen interface is preferred.

All AHM Audio Matrix Processors feature a 128×128 I/O port for the installation of audio networking cards including Dante, MADI, SLink and Waves.